This research is part of the Found Objects project. Made of waste wood from Fiction Factory. Each one of this is a unique piece, part of an experimental series, researching the formal and atesthtic posibilities of the Found Objects.
For sale. Email for inquiries.
This stool is part of the Found Objects project. Made of waste wood from Fiction Factory. With a cube size of 40x40x40cm it can be used as a stool, as well as a basic building block for shelving. The sharp cubical shape and the straitgh lines contrast with the crowded wavy interior.
For sale. Email for inquiries.
This lamp is part of the Found Objects project. Partially made of waste wood from Fiction Factory. This design uses as few of the Found Object parts as possible. A simple and minimal proposal that makes use of randomized wavy shapes to create a warm and soft feeling. Every lamp is differend from each other, creating a dynamic family.
Designed in collaboration with Jesse Howard.
For sale. Email for inquiries.
Caliz Candle
2021
Ongoing
Furniture Design
Waste
Making
Experimentation
2021
Ongoing
Furniture Design
Waste
Making
Experimentation
An experimental collection of candles composed of a long taper candle attached to a chalice made of wax too. The wax will melt and bond to the chalice, creating an ever-growing base.
The idea was developed during the workshop "Wax with Lex Pott " at Domaine de Boisbuchet. The candles are made out of the waste material of the participants.
The idea was developed during the workshop "Wax with Lex Pott " at Domaine de Boisbuchet. The candles are made out of the waste material of the participants.
Knotty for The New Raw
2023
The New Raw
Making
3D Printing
2023
The New Raw
Making
3D Printing
As a Fabrication Assistant I worked on the production of the pieces for Stratum. I was involved in the design of the technical aspects of the project and the crafting of the objects.
“Knotty” — a collection of playful benches with a bold and tactile texture.
Inspired by knitting techniques, the project treats plastic waste as a continuous thread of material which folds, twists and loops to create an intriguing tactile surface that resembles textiles, and invites users to touch it.
The sculpted material texture, consisting of thick and seemingly soft knots, creates a tactile, permeable and load-bearing type of surface for outdoor and indoor furniture or other architectural applications. “Knitted patterns” that increase functionality by allowing water drainage and avoiding internal structures, can be upscaled and become ornaments and building units that embody a new digitally crafted materiality.
“Knotty” — a collection of playful benches with a bold and tactile texture.
Inspired by knitting techniques, the project treats plastic waste as a continuous thread of material which folds, twists and loops to create an intriguing tactile surface that resembles textiles, and invites users to touch it.
The sculpted material texture, consisting of thick and seemingly soft knots, creates a tactile, permeable and load-bearing type of surface for outdoor and indoor furniture or other architectural applications. “Knitted patterns” that increase functionality by allowing water drainage and avoiding internal structures, can be upscaled and become ornaments and building units that embody a new digitally crafted materiality.
The New Raw is a research and design studio based in
Rotterdam (Netherlands) founded in 2015 by architects Panos Sakkas and Foteini Setaki with the ambition to give new life to discarded materials through design, robots and craftsmanship.
The New Raw develops its own (digital) craftsmanship techniques through a formal and technical language that highlights the texture and the layer-by-layer character of its in-house robotic manufacturing process. The exploration of the possibilities that the robotic techniques provide transform plastic waste into beautiful and meaningful products that are 100% circular.